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I use specific combinations of straight lines with different colours or simply shades of one colour to induce a vague illusion of movement and to subvert notions of perspective, thus inviting the viewer to question their reading of the work.

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Until recently wood had been my favoured support. The grain, texture and colour of the wood lend themselves particularly well to my use of acrylics, establishing a dialogue with the paint and the wall it is displayed on. I am now venturing into producing series of two, one of which is on canvas such as still with the counterpart Breaking out on wood. 

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The painting process is a lengthy one, taking weeks and sometimes months to complete.

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